99 Royalty-Free Audio Tracks for "Drum Sticks"

It's a 15-minute long drum improvisation. It contails a lot of different beats and rhythms played so you might cut-out some loops for your needs. The kit has:- single kick- snare- hihat- 3 toms- broken crash that sounds really short- ride. The kit was old and not in perfect condition. I also used my sticks to play on some other part of the drumkit, like metal stand for the crash etc. I also got up and stated running around in a circle hitting sticks together and afterwards hitting drums and cymbals while running around the drumkit. I took my shoes off before i started so you can't hear my footsteps. I didn't use a metronome and i know i don't hold the tempo and it's a bit wiggly sometimes. I think this performace was inspired by band mr. Bungle. I recorded this with zoom h2 handy recorder's front stereo xy mics. It was standing on a table about one meter above the floor. Facing the drumkit and me. It was captured into a 48khz/24-bit wav file, then i trimmed the ends and converted this to flac using audacity. No processing applied, though i think it sounds nicer when you put these effects:. 1. A compressor:-attack: 10ms-release: 50ms-ratio: 2. 5:1-treshold: around -24db2. A reverb:-decay: 1. 5 to 2 seconds-dry: 0db-wet: around -15 db. It amazes me how much energy compression actually adds to drums!. I made this with my podcast (http://unfamusic. Com/fnr/) in mind. I want to overdub guitars, vocals and make it one big schizophrenic song. If you're interested to hear it, leave me a comment so i can find you, or just subscribe to my podcast's rss (http://feeds. Feedburner. Com/unfa-fnr/).

1 of 3 variations on drum loop 090 bpm. Created on ensoniq eps 16+ sampler.

Original: blowfly - sesame street.

Tapping glass with a wooden drum stick. This is the manipulated file.

A repinique (samba drum), hit on the head with a wooden stick. Recording hardware: apogee one, built-in microphonerecording software: audacity.

Hard stick hit on yamaha beech custom drum kit tom.

A repinique (samba drum), hit on the tuning rod with a wooden stick. Recording hardware: apogee one, built-in microphonerecording software: audacity.

A click sound like the side of the snare.

Acoustic drumkit single hits.

Striking a wooden barrel with a thick wooden drum stick i have for large percussion. Minimal eq to remove useless frequencies below 80 hz, no boosting more than 2db, so very non destructive. No compression added. No permissions needed but i'd love to hear what you used it in!.

Sampled of zildjian 8 inch k custom dark splash cymbal hit with nylon-tip stick for lots of stick sound.

Sampled of zildjian 8 inch k custom dark splash cymbal hit with nylon-tip stick for lots of stick sound.

(house casio piano preset pattern recorded in iphone 5s) 174 bpm.

Single hit on a small barrel using a drum stick. Recorded with zoom h4.

A piezo element taped on to chicken mesh. I hit and scraped the mesh with a drum stick.

A trigger based on my basic sjc snare's attack.

I made the score in maestro. Sfx conversion edited: adobe + fxs + mastered.

Drumjam latin surround.

80bpm loop of percussions, made in my cellar with various stuff. (including a wheelchair and a sunshade).

Percussive sound made by hitting a plastic jug with a drum stick. Recorded with zoom h4 built-in condenser mics, and edited in audacity. Part of rhoda drum kit for hydrogen http://neverheardof. Me/hydrogen/.

Idm ambient experimental drums loop. 128 bpm. Https://dpath. Bandcamp. Com/https://soundcloud. Com/dpathhttps://www. Instagram. Com/_dpath.

Brake disk recorded with tascam dr-05 and vst effect.

Made by scraping a drum stick through a metal music stand, no effects appliedsean smith + alistair beecham.

I made the score in maestro. Sfx conversion edited: adobe + fxs + mastered.

Three weak hits. This was created by hitting metallic bucket with drum stick. Recorded with zoom h1n in the bucket.

This is a non-copyrighted rap song.

These are sounds of hitting a metal ammo box with a drum stick as well as my hands.

A part of the experimental pack, beataholic. Various bleep and bloops in patterns and loopable for your pure pleasure !.

Sampled from custom-made 13. 5 inch hihat cymbals created by master cymbal smith mike skiba. The top cymbal weighs in at 1145 grams with the bottom weighing 1215 grams. This is a stick tap on the bow of the closed cymbals using the tip of the stick.

Fat drum loop experimental made with foley. Hip-hop trip-hop vibe, distorded kick and weird percussions, industrial. Loop is at 74bpm. Recorded mainly in my kitchen with h5, in stereo.

Hitting an old, empty oil drum lost in some old woods in various ways (on my palm, knuckle, with a stick, etc) to make different deep bass noises. Natural reverb since it was in a large open space.

A 32 second 90-bpm loop with some odd percussion rhythms and techno-ish synth on top. Created in fl studio using the toxic biohazard plugin.

Recorded on iphone, eq, filtered and mastered. I made it with my nails passing them over the table.

I'm using a tascam recorder and using a drum stick along a bike tire and spokes to create different sounds. Use for whatever, just give me a link to what you use it for thanks.

I used this loop in this song:. Https://dpath. Bandcamp. Com/track/deeds-paid. Https://soundcloud. Com/dpath. Https://www. Instagram. Com/dpath_wav/.

Sound for the peaceful 16 - percussion instruments developed by nova sound and erace the hate for the power two the peaceful campaign. Sounds designed by nova sound. All original royalty-free sound fx, virtual instruments, loops and music by nova sound technology. We need your support to continue this operation! you can support by:. Subscribe to our youtube channel https://www. Youtube. Com/user/novasoundwav. And leave a comment below!. Join our mailing list at https://www. Novasoundwav. Com/pages/fr. . . For more free downloads and updates. Subscribe to our soundcloud at https://soundcloud. Com/novasoundwav. Follow us on ig: https://www. Instagram. Com/novasoundwav/. Follow us on twitter: https://twitter. Com/novasoundwav. More all original sound fx, available at novasoundwav. Com.

Metal coated tree with mallet and stick samples, recorded from physical portable recorderthe meadow, san francisco 2020. Metal metallic resonant percussive hit percussion drum tree field-recording industrial impact high-quality city. Metallic tree roots.

Live streaming every wednesday and saturday 6pm (argentina time) https://www. Sessionslive. Com/dpath/live. Https://dpath. Bandcamp. Com/. Https://www. Instagram. Com/dpath_wav. Https://soundcloud. Com/dpath. Https://www. Youtube. Com/channel/ucavxmkpekrascrkfkosrjdg. Donations: https://www. Paypal. Com/paypalme/dpathmusic.

You could hear this rhythm in a place with several clocks; actually i got this 'clock rhythm' idea after hearing a cool beat made by three clocks. Sounds used found in the "clock tick rhythms pack.

Industrial rhythm to describe series of 4 portraits, each with different angles of view. Strega sequenced by 0-ctrl. Markers set and morphagene oven ready (48khz and 32 bit fp).

This was obviously a little aggressive and a demanding production. It's not much like trap, maybe it could be suitable for a rap or hiphop. The idea of using the car for the chase scene is nice.

Hitting what was either an old lantern or a bug zapper lost in some old woods in various ways (on my palm, knuckle, with a stick, etc) to make different percussion or niche snare noises.

Sampled from a 20 inch k. Zildjian istanbul ride from the 1950s, and subsequently modified by master cymbal smith mike skiba for a final weight of 2220 grams. Recorded with stereo pm mics. This is a hard stick tip hit on the bell or cup of the cymbal.

Sound of a little rainstick. Sound recorded with a zoom h4n pro. Son d’un petit bâton de pluie. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Sound of a little rainstick. Sound recorded with a zoom h4n pro. Son d’un petit bâton de pluie. Son enregistré avec un zoom h4n pro. My sounds are licensed under the creative commons 0 license but it would be a pleasure for me to hear your work so doesn’t hesitate to comment or to send me a message with your work :).

Some stuff i added to my playing drums to 'rich woman' and i added some claves, drumsticks, cowbell, tambourine and maracas all on separate tracks recorded with my yamaha pocketrak and edited with sony vegas. It stutters slightly near the end. My computer? i'm not a pro by any means when it comes to mixing, but please comment on what you may use it for. Thanks. :^).

This is from a recording session trying to create laser weapon sounds. I just used the same technique as ben burtt used in wall-e (with the slinky and the contact mic). This is unprocessed, no eqs, compression, reverb or anything was added. I used a long piece of curled up aluminum wire which i hung from a tall structure at my house and the main object i used to oscillate the wire was a drum stick. For the recording i used the blue icicle and recorded into reaper. The contact mic is my own creation from a diy i found online (roughly €5 to make). I hope you find this useful! please feel free to use it, whenever and however you want to. If you create something awesome and you're proud of it i'd love to see it!.

This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 70 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.

The same as my other fire whoosh sound, but i used a hi-pass eq at the 50hz mark to take out some of the "mud. ". --. This is a quick fire sound i made using qubodup's "swing 25" public domain/cc0 upload on this site. It's a bamboo stick swinging, which i layered and toyed with to get the results here. For those curious, here are the steps. * i took the file into reaper, and slowed the file's playback rate to 31% of the original. * i then duplicated the file three times, for a total of 4 tracks. * track 1 (lowish gas-burner sound):- reverb (drum-room impulse response, a medium-sounding reverb with a slight deadness to it. In free impulse loader reverberate le, stretched impulse to 150% and set attack time to 0. 218s). - eq (-8db bandpass near 200hz, rising back to 0 by the 1k mark. Low-pass applied at 5. 8khz). * track 2 (lowest of sounds, like a bassy gas-burner):- chorus effect. That's it. (specifically acon digital multiply, a free plugin, set to the "romantic" preset). * track 3 (not as low as track 2, but closer to track 2 than 1)- reverb (a large hall impulse response. No adjustments, ie. No increased attack or stretching like for track 1. ). -chorus doubler (free plugin duet, preset: "basic doubler. " same effect as if i had doubled the track and pitched one up 6 cents. ). - chorus (free plugin acon digital multiply, preset: "romantic. "). * track 4 (most flame-thrower, whooshy of tracks. )- reverb (impulse response says "hall medium," but it's a thick, even echo from start to finish. Makes the sound go from its default "whoosh" to a flamethrower noise. - chorus doubler (duet again, preset: basic doubler). - chorus (acon digital multiply, preset: "romantic. "). Master bus:. - compressor (tdr kotelnikov mastering compressor, the free successor to the tdr feedback compressor ii. Preset: punchy. Thresh: -20. 9, soft knee: -1. 5, ratio: 2:0:1, attack: 7. 0 ms, release peak: 165 ms, release rms: 165 ms, makeup: 1. 5 db, output: 2. 0 db. That's it.